Doctor Dolittle, Sunderland Empire

THE old cynic inside has to acknowledge Doctor Dolittle has more than a shade of the over-sentimental, not least when the eccentric vet is serenading a seal, dressed as an old granny, before throwing it into the sea to find its partner.

It's one of those shows where we have to suspend belief and let the feel-good factor sweep over us. And, with animals to the fore, classless humanity triumphing over the bigotry and institutions of early Victorian England and lots of jolly songs throughout, there's no shortage of that.

Or perhaps, we should just forget about the unlikely pantomime-style plot altogether. For, at the end of the day, it is just the vehicle for a dazzling array of technology.

The animals talk and move on three levels - as humans in suits, puppets and the much-awaited animatronics: with busy, mind-boggling sets, that slide easily from one scene to the next, they bring their own West End wizardry to the Empire's stage and assure a wide appeal to all ages.

Although there's nothing innovative in format as far as the human presentation goes, the leading actors are impressive for their discipline and professionalism (it has to be a strictly as-per-the-book show for the timing to work as far as the animatronics go).

Russ Abbot proves his versatility as a performer in a straight part, where he exudes a stage presence not unlike his predecessor Rex Harrison. David Ganly is a worthy Irish co-star as Matthew.

Doctor Dolittle runs until November 25. Evening performances start at 7.30, Wednesday and Saturday matinees 2.30pm. Tickets: £8- £25. Box Office: 0191-514 2517.

Nicola Marsden