The theatre adaptation of Michael Morpurgo's classic War Horse galloped back to Sunderland Empire for the first time in six years, with a poignant opening during Remembrance Week. Amy Smith went along to see the show, and here’s what she thought.

Having read the classic tale in school and seen the film during my ‘cinema era,’ I was very excited to hear that War Horse had arrived once again at Sunderland Empire. Having recently visited to watch Wicked, I couldn’t pass up the opportunity to return to the fabulous theatre dubbed ‘The West End of the North’ and see the award-winning production.

War Horse tells the tale of young Albert (Tom Sturgess) and his beloved horse, Joey, set against the harrowing backdrop of World War I. This production, brought to life by the National Theatre, captivates the audience with a potent mix of storytelling, innovation, and raw emotion.

(Image: Brinkhoff-Moegenburg) Puppets are no stranger to the theatre, but what sets War Horse apart is the extraordinary use of puppetry. Joey and other animals on stage are intricately designed and operated by skilled puppeteers who manage to convey lifelike movements, expressions, and even subtle emotions.

The attention to detail is astonishing, and there are moments when you forget you’re looking at an engineered frame rather than a living, breathing animal.

The production of the play cannot be faulted, and Sunderland Empire provides a perfect setting for the epic tale. Behind the actors is animation perfectly designed to look like drawings on a torn-out page of a notebook, which whilst at times minimalist, manages to bring wartime landscapes to life. With lighting shifting between warm, nostalgic tones for countryside scenes to cold harsh greys of the battlefield, and a score which is equally impactful, the audience is truly immersed in the chaos and horrors of war.

(Image: Brinkhoff-Moegenburg)

Haunting folk music from Sally Swanson, underscores the drama, with simple but effective songs that serve as both transition and emotional anchor, reminding the audience of the enduring humanity amid the devastation of war.

The cast is outstanding, led by a heartfelt performance from Albert. But it must be said that Joey is the true star of the show. Diana Samba-Bandza, Jordan Paris and Eloise Beaumont-Wood perfectly portray a young Joey. Learning to trust Arthur and as their relationship blossoms, Rianna Ash, Lewis McBean and Michael Larcombe, take the reins, with a stunning performance that almost makes you forget they are there.

The relationships between characters feel genuine, making the moments of loss and reunion more moving. The production skilfully balances intense, heart-wrenching scenes with moments of hope and beauty, capturing the profound themes of loyalty, bravery, and the costs of war.

While War Horse is ultimately about the bond between boy and horse, it also serves as a poignant reminder of the impact of war on soldiers, families, and innocents. It portrays both the heroism and tragedy of those caught in the trenches, providing a multifaceted look at history through a deeply personal lens.

The visual artistry, compelling storytelling, and strong performances create a show that resonates long after the final bow. The production is testament to what live theatre can achieve, a profound and stunning portrayal of love, loss, and resilience

War Horse runs at Sunderland Empire until Saturday, November 16. Grab yourself a ticket and saddle up for a night of emotion.  Visit atgtickets.com/sunderland