Certificate: 15
Running Time: 125 mins
Star Rating: 3/5
IN the same week that the Academy Awards bestowed Best Picture upon Spotlight, a real-life drama about the power of investigative journalism to expose corruption, Truth opens a different chapter on the media and its practices. Writer-director James Vanderbilt's handsome picture recreates the political firestorm that erupted when CBS News' esteemed programme 60 Minutes publicly called into question the military record of US President George W Bush.
Key pieces of paperwork, used by 60 Minutes as links in a chain of evidence, were subsequently discredited and a key witness confessed he had lied about their providence. Heads rolled at CBS, including producer Mary Mapes, who recalled her version of events in the memoir Truth And Duty, and President George W Bush was inaugurated for a second term at the White House.
Truth distills turbulent events from this period into an engrossing portrait of flawed ambition. In April 2004, Mary Mapes (Cate Blanchett), producer of 60 Minutes, gathers together a crack team including journalism professor Lucy Scott (Elisabeth Moss) and researcher Mike Smith (Topher Grace) to dissect a potentially explosive story. Lieut Col Roger Charles (Dennis Quaid) has acquired George W Bush's Texas Air National Guard file and it's curiously thin.
The journalists dig deeper and anchorman Dan Rather (Robert Redford) headlines one of the most explosive editions of 60 Minutes on September 8, 2004, less than two months before the presidential elections. Triumph turns to incredulity when bloggers pick holes in the 60 Minutes story, forcing Andrew Heyward (Bruce Greenwood), President of CBS News, to call into question the journalistic integrity of Mary and her team. Truth is a fascinating, if somewhat simplistic, recreation of a behind-the-scenes battle that ended the careers of award-winning journalists behind and in front of the cameras. Blanchett and Redford deliver compelling performances as the TV producer and news anchorman, whose reputations are stained by their involvement in the expose.
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